Nuit des musées 2016
En collaboration avec le Musée de l'Orangerie,
Marianne Vourch conçoit les programmes d'une soirée Jazzy!
On the occasion of the 2016 Museum Night, the Musée de l'Orangerie is inviting the public to spend an evening at the rhythm of jazz in connection with the Apollinaire exhibition, the poet's gaze.
The great airs of the origins of jazz as well as winks to rhythmic dances (Charleston, Cake walk, Shimmy, Ragtime, etc.) from the years 1900-1910 will recall the festive and often eccentric atmosphere in Parisian cabarets from the beginning of century, Bal Bullier, frequented by many Parisian artists and night owls.
Jazz was born at the end of the nineteenth century when the triumphant impressionism gradually gave way to new aesthetic developments carried by symbolism, divisionism, the Nabis and the Fauves. Although blooming especially after 1914, jazz resonates with these great artistic movements: freed from classical rules, it baffles as much as it seduces, cares little of academism and offers audacious orchestrations that evoke, in painting, the shimmer of colors.
Simple, direct, based on improvisation, it is the art of the moment, of fusion and mixing. Heir to an ancient tradition that goes back to the blues, it is also the expression of a modernity constantly reinvented.
Au programme :
James P. Johnson, Charleston
Ballard MacDonald, James F. Hanley, Indiana
Clarence Williams, Spencer Williams, Royal garden blues
Cliff Burwell, Mitchell Parish, Sweet Lorraine
Gene Lockart, Ernest Seitz, The world is waiting for the sunrise
Clarence Williams, Armand Piron, I wish I could shimmy like my sister Kate
Clarence Williams, Cake walking babies
John and Reb Spikes, Someday sweetheart
Ray Gilbert, Lew Pollack, That’s a plenty
Artistes
Julien Alour, trompette
Tony Paeleman, piano
Julien Pontvianne, saxophone ténor
Simon Tailleu, contrebasse
Programme conçu par Marianne Vourch
Nocturne
Samedi 21 mai 2016 - 18h30
Tous publics
Concerts à 19h30, 20h30, 22h et 23h
Entrée gratuite de 18h30 à minuit
Dernier accès : 23h15
Nuit des Musées
2008, 2009 at the National Galerie of Grand Palais
Sensitive to the storytelling talent of Marianne Vourch, the National Galleries of the Grand Palais appealed to her to offer the family audience another approach to the current exhibition. She designs a musical program related to the theme of the proposed exhibition.
Thus, as part of the 2008 Museum Night, she invited her audience to push the doors of the
Marie-Antoinette's music. This concert, echoing the great exhibition dedicated to the Queen, allowed
to give life to the collected objects, to propose an intimate image of the sovereign, more sensitive to aesthetic subtleties than to the art of politics.
For the 2009 edition, Marianne Vouch has established subtle links between different paintings in the exhibition "One Work Can Hide Another" and The Musical Offering of Jean-Sébastien
Bach. Drawing on pictorial works chosen to reveal the sophistication of Johann Sebastian Bach's play, she has developed a network of correspondences beyond disciplines and eras.
This transversal reading, which brings together artists around common issues, has given a particular resonance to the works of Eischer, Arcimboldo and Dali, a reading of which the curator of the exhibition hailed the finesse.
La Folle Journee de Nantes 
